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“Gemma was his muse, she inspired a lot of the songs we hear,” he says.
“If he wasn’t willing to put something out, then I’m not doing it.
“After his death, people suggested making a double album, where his friends recorded certain songs he liked, but I said absolutely not, because he was working towards releasing this album, and that was what we should be putting out.” Fortunately for his legacy, the strength and timelessness of the songs on means that it continues to be relevant – Ó Snodaigh describes it as a “laying a marker” for the Irish music scene; Mac Con Iomaire feels similar: “I’m delighted that it’s still being listened to and cited as an influence, but it’s not that surprising given he’s a beautiful songwriter and had a beautiful voice,” he says.
“He was lucky in love, let’s put it that way, but in as much as I can speak for Mic, and I don’t think I can, Gemma was the one that he fixated on.
That doesn’t mean that she broke his heart, but that she caused the emotions that you can hear in the album.” Of course, unrequited love is a universal feeling that music can often comfort, which perhaps explains why his music’s endured.
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“I hadn’t fully let myself think about him, because it’s so sad.