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She is never far from a confrontation, whether it be a good-natured spat with her colleage Mr.
Park or a jealous row with her rival Okja, or a volley of complaints fired at her daughter-in-law.
Although that latter number far exceeded anyone's expectations, Miss Granny can be said to have earned its success.
It is effectively packaged, slickly constructed, and features a good cast of supporting characters.
Among independent films, Han Gong-ju, which premiered at the Busan International Film Festival in October 2013, enjoyed a particularly successful commercial release for a film of its size, after winning a number of high-profile international festival awards.
In May, the Cannes Film Festival played host to three Korean features, none in competition: debut feature A Girl at My Door, produced by Lee Chang-dong, in Un Certain Regard; thriller A Hard Day in Director's Fortnight; and The Target, a remake of the 2009 French thriller Point Blank.
Most notably, she still acts and speaks like the 70-year-old woman who stirs up trouble wherever she goes.
Miss Granny was Korean cinema's first smash hit of 2014, a film that left audiences roaring with laughter.
Nonetheless, there was a sense of Korean cinema coming back to earth after the heady days of 20.Having already proved herself once as the lead of the smash hit Sunny, Shim ranks without doubt as one of the leading lights of the new generation of Korean actresses.Viewers might be surprised to learn that Miss Granny was directed by the same person who made the deeply upsetting and moving film Silenced (2011), based on a shocking real-life incidence of child abuse at a school for the deaf.But one day she receives a painful blow which catches her off guard.Her son and the rest of his family would like her to move to a nursing home.
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One should note, however, that it is a devilishly hard film to translate.